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    <ó ư> /<>
    Ȱ ȾƵ 10 ޼ϴ !
    , , ޴ ̸ ϳ ٲ㵵 ڸ ڰ ٲ!
    ó ϱ ְ ͵ õϴ å!

    Ȱ ȾƵ 10踦 ޼ϰ
    Ǹ ο ?
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    ? ߼ ? 忡 ȭϰ 縦 ؼ Ѵ.
    ? ? ֿ ְ α ֡ ǩ δ.

    Ȱ ο α ֶ ǩ ٿ ̵ Ǹŷ 2.5質 ÷ȴ. 糪 鿩 ʾҴ. ǩ ϳ ǸŸ ̴. ̷ å Ȱ ȾƵ 10 ޼ϴ ҰѴ. ϱ ؼ ʿϴٰ ̴ ߸ ̴. ƹ 鿩 ɸ ϸ ư ̴. ȸɸа ൿ ̴ ᡯ ̸ ÿ ְ ó ư! ״ ÿ ȿ ִ 25 ãƳ ʰ ø پ ˷ش.
    2019⿡ ְ ϰ ? ݺ ȸ 귣 ̹ ? ׷ٸ ǥ ٰ ֵ å ϶. ʰ پ ְ ̴.
  •   ־ (Les trois Don Juan)   ø 009

    ־ (Les trois Don Juan) ø 009
    < ׸ (Guillaume Apollinaire)>
    - ۵ åԴϴ. - Don Juan (Spanish), Don Giovanni (Italian) is a legendary, fictional libertine. The first written version of the Don Juan legend was written by the Spanish dramatist Tirso de Molina (nom de plume of Gabriel Tellez).[1] His play, El burlador de Sevilla y convidado de piedra (The Trickster of Seville and the Stone Guest), was set in the fourteenth century and published in Spain around 1630. The name "Don Juan" is a common metaphor for a "womanizer". Purpose The original play was written in the Spanish Golden Age according to its beliefs and ideals, but as the story was translated and time passed the story was adapted to accommodate cultural changes. Tirso de Molina wrote El burlador de Sevilla in 1630 in order to demonstrate a life-changing lesson. He saw that everyone was throwing his or her life away, living and sinning as they pleased, because they believed that in the end, as long as they repented before they died, they would receive the grace to enter heaven. However, through his play, he shows that even Don Juan, who is identified as the very devil, a "man without a name" and shapeshifter, has to eventually pay for his sins. Tirso reminds us that we must pay for our actions, and that in the end, death makes us all equal.

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    <ڰ渮> | δϿϽ | 20130213
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